Peerless Power of Comics!

Every once in a while its nice to write something deserving of the "Minutiae" title, and this post achieves that. A few months back my brother John, who often sends me emails when there is a question of identifying art, forwarded me something that was being advertised on Heritage Auctions. It was page 13 of Journey into Mystery # 88, an early Thor story, drawn by Kirby and inked by Dick Ayers. It's always a treat to look at original art pages, especially (for me) studying the border notes by Kirby and others, as well as Stan's production notes to Sol Brodsky. This page was particularly intriguing because it includes a panel that was changed before publication. Original art to Journey into Mystery # 88, Jan 1963, Kirby pencils;Ayers inks Close-up of Thor panel by Kirby There have been numerous instances where Stan requested art corrections or alterations, so that was no big surprise. I put the page away and intended to co...

An essential component of Marvel Comics’ distinctive appearance in the 1960s was the interior and cover lettering of Artie Simek and Sam Rosen - two of the finest craftsman employed by Stan Lee. Both men had worked in the business for decades: In the 1940s Rosen lettered for Will Eisner on his seminal Spirit comic strip and produced much work for Quality comics (Blackhawk); Simek worked on staff at Timely comics, the precursor to Marvel, where he crafted many logos. He also lettered for DC in the 1950s, where his work can be seen in Tales of the Unexpected and early issues of Challengers of the Unknown. Both men brought bombast and personality to Marvel's 1960s output. Guided by Editor/Art Director Stan Lee, who helped design the different bursts, balloons, captions and sound effects that Simek and Rosen brought to life, the Marvel letterers, through Lee’s promotional extravagances, began to gain unprecedented recognition, even if they were often ...

Since the Marvel Masterworks –Atlas Era Tales To Astonish Vol 4 comes out this week, which includes my essay on those stories (and I hope you’ll all go out and buy it, since it’s a worthwhile book. I've included a link to the Marvel Masterworks site for a better look). http://www.collectededitions.com/marvel/mm/atlas/tta/tta_mm04.html I thought it would be a good time to discuss the importance of what some consider “silly monster stories”, with little meaning in the scheme of things to the Marvel Superhero explosion. Having studied and collected these comics for many years, including the original comics in their sequential order, I’ve concluded that they very much affect the future Marvel Comics Group. In terms of plotting, creative teams and concepts they became the clay which would slowly mold itself into a new era, one that took not only elements of the monster story, but those of romance, westerns and teen humor. What Lee, Lieber, Kirby, Ditko and the rest did was transform bi...

I don’t recall when I purchased my first romance comic book; it might have been Our Love Story # 5, with a Steranko story, at a convention, but eventually the stigma of a male buying romance comics dimmed, and, like my interest in other genres; western, crime, mystery - I gained an appreciation for this neglected and demeaned genre   . While it often suffers from repetitive plots, that is also the case in many genres, including the beloved superhero. Romance is important in the context of superheroes, specifically the melding of those elements into the 1960's story lines. Stan Lee incorporated aspects of the romance strip, as he did with humor and teen strips, fashioning a "new" superhero formula in the process. Young Brides # 25, Nov-Dec 1955, Prize. Kirby pencils; Simon inks, alterations? The dog in the background adds the perfect touch to the cover! ­­ Romance comics have a rich history, again tied to superheroes, due to Joe Simon and Jack Kirby's involvement. The...

I added another Kirby inked cover to my Kirby inking Kirby post: Strange Tales Annual # 1. Take a look and see if you agree with my assesment. Have I missed any Kirby inked covers? Stay tuned. I wish one and all the warmest holiday wishes and hope that 2012 will be a peaceful, productive and positive year. 

We are losing the pioneers of comics at an alarming rate. Jerry Robinson passed away on Dec 7th, and now Joe Simon. The comics industry rests on the shoulders on men such as Simon, who came onto the scene before there were ground rules, making them up as they went along. As editor, artist, writer and businessman Simon did it all, only Will Eisner comes to mind as someone with as many skills. Partnered with Jack Kirby, Simon was a recognizable name early on. He produced comics that were not only innovative, but sold tremendously. The Simon and Kirby team were legendary in the industry, and inspired so many of the kids who followed them, from Steve Ditko to John Romita. They had a track record and maintained a high quality of production. It is wonderful that we now have the ability to see more of their output; not just the superheroes, but crime, horror and romance. There is so much to explore and appreciate, and the rich history of the medium is being r...

This essay, an investigation on Ditko's Timely-Atlas Fantasy stories, was originally published in Ditkomania # 71. It's been updated and revised for this blog post. The fantasy stories that Steve Ditko drew for Atlas comics in the late 1950s-early 1960s have always been admired and revered for their originality, mood and charm. The question of authorship of these stories, however, has been riddled with inconsistencies, with Stan Lee usually credited over the years. Lee’s signature did not appear on Ditko stories until 1961. The mythology that has permeated the fan press is that Stan Lee signed everything he wrote, but if that is indeed the truth, then the question cries out: WHO wrote the pre-1961 Ditko stories, of which more than a few read very much like the later Lee signed stories? There is proof of at least one author on a few stories, but the others lead to further speculation. Perhaps somewhere along the line a better understanding of the Lee-Ditko working relationship ...