Peerless Power of Comics!

I emailed Stan Lee with a few questions on the NAACP comic, Big Boy and Brodsky's involvement, and while Stan didn't recall if he was involved in the NAACP comic, he had this to say about Big Boy: I wrote, Marvel published BIG BOY Comics.  Later, Marvel stopped and Sol ( or someone else?)  took over the publishing,. I don't think I wrote any of those. I believe Stan meant that Sol took over the packaging , not publishing, since it was only distributed to the Big Boy restaurant chains, not sold in stores, but note he did not say Martin Goodman packaged or published the later Big Boy's. While Stan says he doesn't think he wrote the later stories (1957 until around 1964) I suspect he did work on some of them; certainly the cover copy on many issues reads very much like his gags for the humor strips he wrote. I ordered a Big Boy comic through Ebay; when it arrives I'll try to decipher if Stan was involved in the story. I menti...

One of the exciting things about studying comics are the surprises that one constantly, and often accidentally, discovers. While I was adding credits to a number of Ditko drawn comics on the Grand Comic Book Database [ http://www.comics.org/ ] I turned to the entries for Adventures of the Big Boy , (Ditko drew one issue in the 1990s). I was aware that Timely published a few issues, some drawn by Bill Everett, but I either had forgotten or never realized that the Big Boy comic continued to be package by Marvel staffers for many years. I was fascinated to see how many issues, though. The run seems to extend into 1964: the same period Lee and company were turning out superhero, western and teen romance comics, and some of those same people were writing and drawing Adventures of the Big Boy . Early issues were signed by Dan DeCarlo, and Stan Goldberg may have either drawn or colored some stories. The cover copy features gags that read very much like S...

While we have certain facts that point to when Stan Lee began working Marvel Method with a few artists, there are questions as to when it was fully initiated throughout the line. I've done a great deal of research on this over the years and have documented my findings here. The earliest known proof of the Marvel method in print is Stan's plot synopsis for Fantastic Four # 1. Evidence points to Lee working this way earlier, most likely with Jack Kirby and Steve Ditko (and possibly earlier with artists such as Joe Maneely). Kirby had done a few earlier stories for Lee in 1956 and 1957, but began working steadily in late 1958 on war, romance, western and fantasy stories, all short stories in anthology titles. The stories were likely plotted by Lee and written by Larry Lieber, although some may have been written by Kirby (more on this on an upcoming Blog post). The first ongoing character Lee worked on with Kirby was the revamped...

Since my post on the cover to Avengers # 11 received its share of interest I thought I'd follow up with a look at how Jack Kirby drew Spider-Man, as witnessed on a number of early Marvel covers. Kirby did not easily adapt to drawing Spider-Man; Steve Ditko's costume design was unique, with its webbing pattern and full face mask - and Kirby rarely got the details right. Some of those errors even appeared uncorrected on covers. Strange Tales Annual # 1, 1963. Kirby pencils; Sol Brodsky inks? I started out with this cover since I noticed the circular webbing motif in the background is similar to the design on Avengers # 11. Stan Lee often designed covers with the artists, so this may be an instance where he decided to use the same idea on the Avengers cover a year or so later. As we can see, there are a number of instances where Kirby differentiated from Ditko in his interpretation of Spider-Man. Spidey's webbing is dr...

A Few weeks back I looked at some of the interior corrections on The Avengers by Jack Kirby. This time around I thought it would be interesting to examine the cover to T he Avengers # 11, which appears to have a number of artistic hands involved in its creation.  Avengers # 11 cover, Dec 1964 This cover has been a puzzle to me for many years. I have no doubt that the Thor, Iron-Man and Cap figures are pencilled  by Jack Kirby and inked by Chic Stone, the usual cover team in this period. Kirby's figure work and poses are evident, as is Stone's bold inking. Giant-Man, Spider-Man and possibly the Wasp are another matter.      Close-up of Giant-Man figure, by Ditko & Stone? Examining the Giant-Man figure and the way the body is positioned, I suspect Steve Ditko drew the figure, possibly replacing a Giant-Man drawing by Kirby that Stan Lee didn't like. Minor alterations took place before the cov...

There is something of a very personal nature in the ability of an artist to take up pencil and brush and bring images to life on a piece of paper. It appeals to me a in way that superhero movies, with all their special effects and spectacle, as entertaining as some of them are, cannot compete with. The individual vision of those creators that particularly touched me growing up: Kirby, Ditko, Lee, Wood, Colan, Steranko, Thomas and many others, brought forth a world of imagination that I could explore in my living room, poring over the artwork and digesting the words. The colors and letters were also a part of that tactile experience. It is  unique and can't be duplicated in the midst of a crowded movie theatre. With a comic you have the ability to stop and admire a panel, concentrate on a scene and appreciate it in your own time. There are no interruptions, aside from ads that you can easily pass over. When I look at the work of...

                "Our Revels Now Are Ended..." Dark Shadows # 2, August 1969 Like the comic books, music and movies of the 1960s, television was very much a part of my childhood, and Dark Shadows was one show that left a distinct and lasting impression on me. The series had a lot in common with the comic books I absorbed, mainly the serialized adventures of the Marvel heroes. The trials and tribulations of characters such as Peter Parker or Ben Grimm were not very different from the struggles of Barnabas Collins as portrayed by Jonathan Frid,. Like the Marvel heroes, Barnabas was given special "powers" but he didn't want to have them, and didn't revel in his vampire role. To him it was a curse, and he only wanted to live like a normal person. These type of characters greatly appealed to me. The character of Barnabas Collins was never created to be an ongoing part of the gothic so...