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Ditko content worth exploring

Over the past few years I've been honored to write about the work of one of the most important, unique and distinctive artists in the world of comics - Mr. Steve Ditko - in DitkoMania. Rob Imes has been editing the revived publication, which was originated by Bill Hall. Rob's fanzine is a labor of love, and I like the fact that it is "home grown", put together the old fashioned way, with scissors, tape and tender loving care. Rob decides what to include, and his approach has been entertaining and thoughtful. While Rob has theme issues that often focus on Ditko's earlier work, he also reviews Ditko's latest output. I'm also in great company, sharing space with folks like Barry Pearl, Jason Sacks, Bruce Buchanan, Javier Hernandez, Dave Sim, Mort Todd, Batton Lash and Michael T. Gilbert (to name a few). DitkoMania has well thought out articles, wonderful artwork and a lively letters page. It's a real bargain, and I encourage anyone who enjoys the work of Steve Ditko to give it a try. You won't be disappointed.   

   http://www.ditko-fever.com/dmreturns.html

You can also read some reviews of earlier issues of DitkoMania at this site:

http://poopsheetfoundation.com/blog/2011/09/14/ditkomania-81-edited-by-rob-imes/

I think they're quite insightful.


Robin Snyder has been publishing a newsletter entitled The Comics for decades (yes, decades!), and it is always filled with interesting articles by pros (Ditko has contributed many essays over the years, detailing his involvement on Spider-Man. Essential reading for those interested in comics history), letters and artwork on all facets of comic books.  Robin produces a unique publication that centers on the positive aspects of the medium. Like Rob, his newsletter is a solo effort, and his output has been phenomenal. How he put together 12 issues a year, while also publishing the latest work of Mr. S. Ditko (lately on a Bi-Monthly basis) is beyond me. I would be remiss if I didn't add another important fact: Robin is one of the nicest people I've had the pleasure to correspond with. I salute him!  Try a sample issue, and tell him Nick Caputo sent you! You can also order Ditko's latest output from Robin, as well as much of the work he has produced with Robin over the years, including gems like Static and the Mocker.   


http://ditkocultist.com/periodicals/order-the-comics/


These are impressive, small press publications that deserve attention. They stand out in a sea of slick publications (although mags like Roy Thomas' Alter Ego, still has the same enthusiastic feel they began with, and Roy is another class act).  I hope fanzines such as Rob and Robin's continue to surprise and thrill me for many years to come.       

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More Kirby War: Battle

For my 50th post (I never thought I'd make it this far!) I will examine the 10 stories Jack Kirby produced for Battle , an Atlas comic that originated in 1951 and ceased publication in 1960.   In 1959, concurrent with his output on monster, western and romance stories, Kirby was assigned a number of compelling war stories. Based on a thorough reading it appears that Kirby scripted as well as drew many of the pre-1960 stories (an examination of possible scripts in other genre stories will appear at a later date). There are many similarities in style, tone, emphasis of words, phrases, use of quotation marks and sound effects that point to Kirby’s input. I will focus on these patterns as I go through each story.     "Action on Quemoy!" Battle # 64, June 1959, Jack Kirby story ? Kirby pencils; Christopher Rule inks, Job # T-266. The opening narration is similar to the style Kirby often employed; a long paragraph of exposition (which would be seen in many of his 1970s scripted
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When Publisher Mark Hanerfeld found work at DC, The Comic Reader vanished for 22 months. Taking up the slack was another fanzine. Etcetera was published by Paul Levitz and Paul Kupperberg, and later solely by Levitz. Kupperberg would go on to write and edit for DC. You can read some great stories at his blog, including a few about his time working on Etc and meeting Carmine Infantino: http://kupps.malibulist.com/page/7/ Paul Levitz became a writer, editor and publisher at DC. Etcetera followed TCR by concentrating on news about DC and Marvel, listing coming comics and featuring reviews and columns. Etcetera # 3, May 1971 Along with Marvel and DC news, there was info on Skywald. Sol Brodsky (who left Marvel for a while to attempt this venture) and Israel Waldman teamed to produce horror mags such as Nightmare and Psycho , a few 25 cent color comics and Hell-Rider, which did not turn out to "shake up the industry as we know it" (it lasted two issues). Skywald employed many tal
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Appreciating Don Heck

My introduction to Don Heck’s art began in the mid-1960s, when he was associated primarily with Marvel Comics' super-heroes, including  "Iron Man," "Ant-Man" and The Avengers . Reprints in Fantasy Masterpieces  educated me on Heck's stylish monster/science-fiction short stories, that while only six or seven years old, seemed like a discovery from an ancient age. As my collecting interests grew, I became aware of his facility in an array of genres, including romance, war and westerns. Through fanzines and interviews I learned of his beginnings, both the high-points and pitfalls of toiling in the comic book field.  Heck struggled at times to maintain his identity, and in later years didn't often get the choice assignments, passed over for younger, more popular artists, but his contributions to the field deserve recognition.          Don Heck’s earliest work appeared in 1952 at Comic Media. He contributed across the line in Weird Terror , War Fury,  Horrifi
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