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Ditko's Gwen Stacy

My essay, originally published in Ditkomania # 79, can be read on this wonderful site that I'm proud to be associated with:

http://comicbookcollectorsclub.com/ditkos-gwen-stacy/

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Deathblow and Wolverine #2

Strange Team-Ups Deathblow and Wolverine #2 A Wolverine story "untitled” Writer – Aron Wiesenfeld Breakdowns – Aron Wiesenfeld Finishes – Richard Bennett Letterer – Mike Heisler Colorist – Monica Bennett Computer Colors – Bad @ss Design – Emilio Medina Editor – Mike Heisler February 1997 This is a rather strange one, and not just because the Letterer is the Editor, either. It’s strange because it is supposed to be a team up between that feisty ball of marketing and claws, Wolverine…ole mister “best he is at what he does, and what he does makes Marvel a bunch of money”…and the Wildstorm/Image character Deathblow, a guy I know absolutely zero about. And after reading this entire book (twice), I still know absolutely ZERO about. Because Deathblow doesn’t show up in this issue. Oh, I mean yeah there are some panels where he is drawn in frame, but he doesn’t DO anything to advance the plot or make any difference in its outcome. He has the personality of a generic action hero and he mu...
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Appreciating Don Heck

My introduction to Don Heck’s art began in the mid-1960s, when he was associated primarily with Marvel Comics' super-heroes, including  "Iron Man," "Ant-Man" and The Avengers . Reprints in Fantasy Masterpieces  educated me on Heck's stylish monster/science-fiction short stories, that while only six or seven years old, seemed like a discovery from an ancient age. As my collecting interests grew, I became aware of his facility in an array of genres, including romance, war and westerns. Through fanzines and interviews I learned of his beginnings, both the high-points and pitfalls of toiling in the comic book field.  Heck struggled at times to maintain his identity, and in later years didn't often get the choice assignments, passed over for younger, more popular artists, but his contributions to the field deserve recognition.          Don Heck’s earliest work appeared in 1952 at Comic Media. He contributed across the line in Weird Terror , War Fury,...
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Monsters at my Wndow or Why the Pre-Hero Monsters Matter

Since the Marvel Masterworks –Atlas Era Tales To Astonish Vol 4 comes out this week, which includes my essay on those stories (and I hope you’ll all go out and buy it, since it’s a worthwhile book. I've included a link to the Marvel Masterworks site for a better look). http://www.collectededitions.com/marvel/mm/atlas/tta/tta_mm04.html I thought it would be a good time to discuss the importance of what some consider “silly monster stories”, with little meaning in the scheme of things to the Marvel Superhero explosion. Having studied and collected these comics for many years, including the original comics in their sequential order, I’ve concluded that they very much affect the future Marvel Comics Group. In terms of plotting, creative teams and concepts they became the clay which would slowly mold itself into a new era, one that took not only elements of the monster story, but those of romance, westerns and teen humor. What Lee, Lieber, Kirby, Ditko and the rest did was transform bi...
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