Chuyển đến nội dung chính

Marvel's Western House Ads

While the Marvel westerns became increasingly marginalized as the 1960s wore on, early on they were quite popular and while Lee never featured any cross-overs (there were requests from time to time in the letters page to have a time travel story) they were still strongly linked with the Marvel Superhero line.

The Marvel brand name continued to grow in the early to mid-1960s, and the western "Big 3" of Kid Colt Outlaw, Two-Gun Kid and Rawhide Kid were part of that advertising. Full page ads for Fantastic Four or Amazing Spider-Man were scattered throughout the line, along with ads for the latest westerns. Stan Lee was still writing some of the westerns in 1965, but began relinquishing thes duties to Larry Lieber, Al Hartley, Roy Thomas, Denny O'Neil and Steve Skeates. In late 1964 the western's also received their own letters pages.


Kid Colt's first letters page, including a short lived western checklist, from Kid Colt Outlaw # 120, January 1965.

Like the superhero line, Lee also used full page ads to promote the western heroes. 


Ad from Two-Gun Kid # 75, May 1965



Ad from Kid Colt Outlaw # 130, Sept 1965. Note Lee's reference to the Marvel Bullpen. Two-Gun and Rawhide Kid images by Kirby/Colletta and Kirby/Ayers; Kid Colt image by sorely missed Joe Maneely.



Ad from Rawhide Kid # 46, June 1965. Carl Hubbell art?

The MMMS house ads were identical to the ones used in the superhero comics, of course substituting the Kid's for the long-underwear types. 

    
Since not all the western heroes had recurring villains a generic owlhoot was used, drawn by Marie Severin. From Kid Colt Outlaw # 124, Sept 1965


Ad from Kid Colt Outlaw # 126, Jan 1966. Kid Colt by Marie Severin.



The very same month Marie Severin's T-Shirt ad featuring the Hulk and Dr. Doom appeared (see my previous blog post) Marie contributed this charming illo of Kid Colt, from issue # 127, March 1966.

I'm curious if the MMMS was either advertised or mentioned in the Girl's titles (Millie the Model, Modeling with Millie, Patsy Walker, Patsy and Hedy). I have some example of those comics, but none with a reference to the club. It should be noted that the paid ads in these comics were usually different that those appearing in the rest of Marvel's line, although house ads for Millie and company still mentioned the Marvel brand and those titles also included letters pages. Any info would be appreciated and updated right here.

I hope you enjoyed this excursion down the dusty western trail.  
  

  
       

Nhận xét

Bài đăng phổ biến từ blog này

Deathblow and Wolverine #2

Strange Team-Ups Deathblow and Wolverine #2 A Wolverine story "untitled” Writer – Aron Wiesenfeld Breakdowns – Aron Wiesenfeld Finishes – Richard Bennett Letterer – Mike Heisler Colorist – Monica Bennett Computer Colors – Bad @ss Design – Emilio Medina Editor – Mike Heisler February 1997 This is a rather strange one, and not just because the Letterer is the Editor, either. It’s strange because it is supposed to be a team up between that feisty ball of marketing and claws, Wolverine…ole mister “best he is at what he does, and what he does makes Marvel a bunch of money”…and the Wildstorm/Image character Deathblow, a guy I know absolutely zero about. And after reading this entire book (twice), I still know absolutely ZERO about. Because Deathblow doesn’t show up in this issue. Oh, I mean yeah there are some panels where he is drawn in frame, but he doesn’t DO anything to advance the plot or make any difference in its outcome. He has the personality of a generic action hero and he mu...

The Savage Dragon vs the Savage Megaton Man #1

Strange Team-Ups The Savage Dragon vs the Savage Megaton Man #1 One ‘sen helping the other 'son out "Savage Brawl” The Savage Dragon written, penciled, inked – Erik Larsen The Savage Dragon lettered – Chris Eliopoulos The Savage Megaton Man written, penciled, inked, lettered – Don Simpson Colored – Steve Oliff and Olyoptics Editor – Name Withheld March 1993 When it comes to odd pairings, they don’t come much odder than this one: Conceived on the heels of a chance meeting of creators Erik Larson and Don Simpson at the 1992 Chicago Comic Book Convention after Larson suggested they do a team up of their two most popular heroes, this book has made a few appearances in the Crapbox over the years. Taking one of the most visible successes of the Image universe with Larson’s Dragon and pairing him with the obscure 80’s indie cult hero Megaton Man didn’t set any sales records. The book itself is a bunch of fun though, showcasing Larson’s humor in a way that I don’t think the Savage Dr...

The Infinity War #1

Movie/ TV Tie-Ins The Infinity War #1 …or How Thanos saved the universe! "Chthonic Maneuvers” Writer – Jim Starlin Pencils – Ron Lim Inker – Al Milgrom Colorists – Max Scheele & Ian Laughlin Letterer– Jack Morelli Editor – Craig Anderson Honcho – Tom Defalco June 1992 If we are going to talk about Infinity War #1 and how it ties into Marvel’s Avengers Infinity War, part 1, now in theaters, we are going to need to begin with a very long, convoluted history lesson. That roadtrip begins in 1973 when scripter Mike Friedrich and writer-artist Jim Starlin created Thanos to be the heavy opposite Starlin’s idea of failed anger management in hero form, Drax the Destroyer. The issue they appeared in was Iron Man #55 and Thanos came off as a pretty thin concept in that book.  Starlin even admits that most of Thanos’s look was swiped or homage to Jack Kirby’s Darkseid at the urging of Editor Roy Thomas: Kirby had done the New Gods, which I thought was terrific. He was over at DC at the t...