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Paul Reinman 1933 Drawing

Some time ago I was contacted by Gideon Remez asking for information about Paul Reinman's background. He discovered I had written an article on Reinman for Alter Ego some years ago and hoped I could assist him. I told him there were few Reinman interviews I was aware of, but Reinman wrote a brief memoir for Alter Ego in the early 1960s, which I passed onto him. In that same period I was over Timely-Atlas expert Michael Vassallo's house, and what does he have on his desk? A Paul Reinman interview that appeared in The Burroughs Bulletin # 13, 1962 (Reinman drew the Tarzan strip a number in 1949-1950). Serendipity! I asked Mike to pass on the info to Gideon, as well as information on Reinman's Atlas work, which he gladly did.

                           Reinman Tarzan strip, 1949. Image from Heritage Auctions.

Gideon is not a comics fan, but his interest in Reinman overlaps with my interest in the lives and history of creators, which extends to many areas, as the article will reveal.

      http://www.tabletmag.com/jewish-arts-and-culture/116021/a-find-unlocks-comic-mystery

I've always found Reinman's work intriguing. I enjoyed his quirky qualities, his sometimes crude, imperfect figures figures and  that spoke of. Crude, perhaps, but with an underlying mood. His background work often overshadowed his figures, and this likely speaks to his primary interests. In the few paintings I've seen his backgrounds and scenery showcased strengths that were only touched upon in his comics work.


An attractive Reinman page that includes impressive rendering of buildings, trees, animals and figures. "The Temptation of Jesus", Bible Tales for Young Folk # 3,  December 1953 



Original artwork to Reinman's cover for The Shadow # 1, August 1964. His use of blacks and scratchy lines provides an atmospheric touch.

Much or Reinman's work outside of comics remains a mystery. It certainly includes undiscovered paintings and advertising art (a field he moved to after he left comics; he was also a courtroom artist), but could include book or record cover illustrations and movie posters, such as the one below. Further research into the work of Paul Reinman may open the door for a better assessment of him artistic talents.

                                

                     Reinman Bustin' Loose movie poster, circa 1981

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Just a short note:

Kid's Stuff RETURNS! That's right! Starting on Monday, The Crapbox begins its annual march to Christmas with twice a week (maybe more?) reviews of comics aimed squarely at the younger set. We'll put the FORGOTTEN HEROES back in the Crapbox, but something tells me they won't be in there for long. Too many good ones got away without a review for me to not revisit that stack sometime early 2019.  However, there will be a slight change to Kid's Stuff this year. In the past I've focused Kid's Stuff on toy tie-ins, but this year I thought I'd do something a little different. While there are still MOUNDS of toys and video game comics floating around in the Crapbox, I thought we could tackle a different set of books. As a change of pace, so to speak. That's why this year I'll be digging out comics that were spinoffs of new or old kid's cartoons. I'm dubbing this year's run up to Christmas " Kid's Stuff: Saturday Morning Cartoon Ed...
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Musings on the great Wally Wood

 I'll always associate Wally Wood with artistic titans Jack Kirby and Steve Ditko. All three worked for Marvel in the magical year 1965; all three were highly distinctive and totally involved in their visions. Wood’s work at Marvel was minimal, seven issues of Daredevil and assorted inking jobs, yet he left an indelible impression on my mind. His art had a brilliant gloss to it, a fairy tale quality that drew you in. His figures were heroic, his women curvaceous (despite restrictions by the Comics Code, Wood's Karen Page exuded sexuality); his machinery detailed and shiny.    My earliest Wood memory. Daredevil # 9, Aug 1965   Wood was always around in the 1960s and 1970s, although you’d never know where his art would pop up. After he quit Marvel, Wood was the prime player at Tower comics, writing stories, drawing, inking and providing layouts for other artists. His covers for Dynamo, Thu...
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The Good Guys

Over the years I've been blessed to meet many of the creators whose work I admire and respect. With some its been a chat at conventions, others I've gotten to spend time with, such as Joe Sinnott and Dick Ayers, still others email or correspondence by post. Of the old guard, to a person they have been generous, gracious and often humble. From Stan Lee to Steve Ditko, it has been an absolute pleasure to encounter such talented and unique creators.  One of the great moments was meeting Jack Kirby. I first saw him at the 1975 Marvel Convention, when he was introduced as a surprise guest, returning to Marvel. As he walked to the podium there was a tremendous ovation from the audience. From time to time I saw Kirby at other conventions over the years, but my last encounter was a special one. It was at a New York Con, where I had taken my little brother, Terry. I was a volunteer Big Brother for many years, and Terry gr...
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