Chuyển đến nội dung chính

The OTHER Kirby Rawhide Kid cover

Following up on my last post I've found another alternate Jack Kirby western cover, this time featuring the Rawhide Kid.

Kirby and Lee created a new Rawhide Kid when  the title was revived with issue 17, August 1960. Aided greatly by the original Rawhide Kid's artist, Dick Ayers, on inks, the new Kid was a success - a veritable James Cagney tough-guy in the west. Kirby worked on the strip for 16 issues, pulled away once he became more important on the super-heroes. He was followed by Jack Davis, Dick Ayers, Jack Keller and, for the longest run, Larry Lieber, who wrote and drew the strip continuously (with occasional fill-in stories by Dick Ayers, Werner Roth, and Paul Reinman) from # 42, October 1964, until # 115, April 1973 when it went all-reprint. Rawhide Kid finally rode into the sunset with issue # 151, May 1979.



Rawhide Kid # 20, Feb 1961, Kirby pencils; Dick Ayers inks

Issue #20 was Lee and Kirby's fourth Rawhide Kid issue. Kirby's cover image of the Kid became iconic, used often on pin-ups, a tee-shirt and cover symbol. The cover is a bit awkward in its construction, with the caption appearing between the Kid's foot and the badman. The lettering is also odd, clearly not the work of Artie Simek and not a recognizable style. What is interesting is that another cover was rejected, appearing for the first time (I'm guessing) at the Dutch company Classics/Williams, which also featured the unpublished Kid Colt cover, as seen in my last post.       

    

The Rawhide Kid appearing in Sheriff Classics # 997, 1968. Kirby pencils; Dick Ayers inks.

The rejected cover showed up seven years later at the Dutch company. I find this cover image more appealing than the published version. The Kid is the center figure, with only the criminals weapons and hands shown. Like the printed version, the background figures are fleeing. Why was this cover replaced? I can only speculate that Lee or Goodman wanted the villain to be seen.

But that's not the end of the story. The original cover WAS finally published in the states 15 years later, unnoticed and without fanfare.


Rawhide Kid # 136, Nov 1976.

As noted, Rawhide Kid had been a reprint title for a number of years, and the covers alternated between new art, usually by Gil Kane, and reprinted covers. Kirby stories and covers were used beginning with # 134, and while there were some alterations and relettering, they were recognizable as reprinted from the original run. When I first saw this cover I thought it might have been an image taken from the interior, but that was not the case. I was never 100% sure the image wasn't a blow-up from an earlier issue, but when I recently discovered that it appeared as early as 1968, complete with the Black-Jack Borden title, it confirmed that the cover was an unpublished version. 

Perhaps I'll find other such discoveries. If so, I'll be sure to share them here.           
       

Nhận xét

Bài đăng phổ biến từ blog này

Deathblow and Wolverine #2

Strange Team-Ups Deathblow and Wolverine #2 A Wolverine story "untitled” Writer – Aron Wiesenfeld Breakdowns – Aron Wiesenfeld Finishes – Richard Bennett Letterer – Mike Heisler Colorist – Monica Bennett Computer Colors – Bad @ss Design – Emilio Medina Editor – Mike Heisler February 1997 This is a rather strange one, and not just because the Letterer is the Editor, either. It’s strange because it is supposed to be a team up between that feisty ball of marketing and claws, Wolverine…ole mister “best he is at what he does, and what he does makes Marvel a bunch of money”…and the Wildstorm/Image character Deathblow, a guy I know absolutely zero about. And after reading this entire book (twice), I still know absolutely ZERO about. Because Deathblow doesn’t show up in this issue. Oh, I mean yeah there are some panels where he is drawn in frame, but he doesn’t DO anything to advance the plot or make any difference in its outcome. He has the personality of a generic action hero and he mu...

Appreciating Don Heck

My introduction to Don Heck’s art began in the mid-1960s, when he was associated primarily with Marvel Comics' super-heroes, including  "Iron Man," "Ant-Man" and The Avengers . Reprints in Fantasy Masterpieces  educated me on Heck's stylish monster/science-fiction short stories, that while only six or seven years old, seemed like a discovery from an ancient age. As my collecting interests grew, I became aware of his facility in an array of genres, including romance, war and westerns. Through fanzines and interviews I learned of his beginnings, both the high-points and pitfalls of toiling in the comic book field.  Heck struggled at times to maintain his identity, and in later years didn't often get the choice assignments, passed over for younger, more popular artists, but his contributions to the field deserve recognition.          Don Heck’s earliest work appeared in 1952 at Comic Media. He contributed across the line in Weird Terror , War Fury,...

The Savage Dragon vs the Savage Megaton Man #1

Strange Team-Ups The Savage Dragon vs the Savage Megaton Man #1 One ‘sen helping the other 'son out "Savage Brawl” The Savage Dragon written, penciled, inked – Erik Larsen The Savage Dragon lettered – Chris Eliopoulos The Savage Megaton Man written, penciled, inked, lettered – Don Simpson Colored – Steve Oliff and Olyoptics Editor – Name Withheld March 1993 When it comes to odd pairings, they don’t come much odder than this one: Conceived on the heels of a chance meeting of creators Erik Larson and Don Simpson at the 1992 Chicago Comic Book Convention after Larson suggested they do a team up of their two most popular heroes, this book has made a few appearances in the Crapbox over the years. Taking one of the most visible successes of the Image universe with Larson’s Dragon and pairing him with the obscure 80’s indie cult hero Megaton Man didn’t set any sales records. The book itself is a bunch of fun though, showcasing Larson’s humor in a way that I don’t think the Savage Dr...