Chuyển đến nội dung chính

Hiatus!

Hiatus! The Crapbox is out this week as we get ready for the Halloween season

Sorry about the missing week here folks! As many of you are aware, Halloween is a holiday near and dear to old Son of Cthulhu's heart. That means horror comics get reviewed and a lot of them. 31 comics, to be exact.

That's right! We are off this week to prepare for Halloween 2018 POST-A-DAY, a month long celebration of horror comics that we simply could not do without some prep time. 

We hope to see all of you back here October 1st for some spooky and crappy horror books that we will try our best to derive some enjoyment out of.

One way or another. 

See you then!

Nhận xét

Đăng nhận xét

Bài đăng phổ biến từ blog này

More Kirby War: Battle

For my 50th post (I never thought I'd make it this far!) I will examine the 10 stories Jack Kirby produced for Battle , an Atlas comic that originated in 1951 and ceased publication in 1960.   In 1959, concurrent with his output on monster, western and romance stories, Kirby was assigned a number of compelling war stories. Based on a thorough reading it appears that Kirby scripted as well as drew many of the pre-1960 stories (an examination of possible scripts in other genre stories will appear at a later date). There are many similarities in style, tone, emphasis of words, phrases, use of quotation marks and sound effects that point to Kirby’s input. I will focus on these patterns as I go through each story.     "Action on Quemoy!" Battle # 64, June 1959, Jack Kirby story ? Kirby pencils; Christopher Rule inks, Job # T-266. The opening narration is similar to the style Kirby often employed; a long paragraph of exposition (which would be seen in many of his 1970s scripted
Đăng nhận xét
Đọc thêm

Etcetera, Etcetera

When Publisher Mark Hanerfeld found work at DC, The Comic Reader vanished for 22 months. Taking up the slack was another fanzine. Etcetera was published by Paul Levitz and Paul Kupperberg, and later solely by Levitz. Kupperberg would go on to write and edit for DC. You can read some great stories at his blog, including a few about his time working on Etc and meeting Carmine Infantino: http://kupps.malibulist.com/page/7/ Paul Levitz became a writer, editor and publisher at DC. Etcetera followed TCR by concentrating on news about DC and Marvel, listing coming comics and featuring reviews and columns. Etcetera # 3, May 1971 Along with Marvel and DC news, there was info on Skywald. Sol Brodsky (who left Marvel for a while to attempt this venture) and Israel Waldman teamed to produce horror mags such as Nightmare and Psycho , a few 25 cent color comics and Hell-Rider, which did not turn out to "shake up the industry as we know it" (it lasted two issues). Skywald employed many tal
Đăng nhận xét
Đọc thêm

Appreciating Don Heck

My introduction to Don Heck’s art began in the mid-1960s, when he was associated primarily with Marvel Comics' super-heroes, including  "Iron Man," "Ant-Man" and The Avengers . Reprints in Fantasy Masterpieces  educated me on Heck's stylish monster/science-fiction short stories, that while only six or seven years old, seemed like a discovery from an ancient age. As my collecting interests grew, I became aware of his facility in an array of genres, including romance, war and westerns. Through fanzines and interviews I learned of his beginnings, both the high-points and pitfalls of toiling in the comic book field.  Heck struggled at times to maintain his identity, and in later years didn't often get the choice assignments, passed over for younger, more popular artists, but his contributions to the field deserve recognition.          Don Heck’s earliest work appeared in 1952 at Comic Media. He contributed across the line in Weird Terror , War Fury,  Horrifi
Đăng nhận xét
Đọc thêm